The Unwritten Rules of Sport Photography

ARE YOU A SPORTS PERSON OR TRAINER?

This year, I was asked to document a fantastic event for Willen Hospice. This was a cycling event, and my brief was to document the start & finish of each race. For my own practice during this event, I photographed the cyclists as they returned to the start. This was so that I could take some fast shutter speed pictures and practice a panning technique used when photographing cars, bikes or cyclists.

I loved this event, as it gave me the chance to experiment and practice my fast shutter speed photography skills.

For this event, I used these techniques to capture the cyclists

  • Fast shutter speed photography

  • High speed flash sync.

  • Panning photography


FAST SHUTTER SPEED PHOTOGRAPHY

Theory - This means taking a picture with a high shutter speed, to freeze action, motion or a moment in time.

For this event, I took pictures as the cyclists started and documented them as they returned. This meant freezing the action as the cyclists passed me.

To freeze action, you can shoot a moving object at a high shutter speed or use flash to freeze their motion. When taking these images, I want to prevent the camera jitter, so I advise using a tripod.

I mentioned two ways to take a fast shutter speed image, and here are some start-off settings to use when photographing sporting subjects.

THIS IS THE BEST VISUAL FROM EXPERT PHOTOGRAPHY - this shows set times per set activity

Shutter Speed

THIS IS A GREAT VISUAL FROM EXPERT PHOTOGRAPHY - this shows set times per set activity

These sports are suitable for fast speeds: racing cars/bikes, running, cycling, or sports games.

For these types of sports, flash may not be possible.

HERE ARE MY OWN SETTINGS THAT I PLAY WITH

  • ISO 100 - 400

  • Once the speed has been set, the aperture will be set from the camera light sensor.

  • Try Shutter Priority, which means the camera will set the aperture for the camera.

  • Shutter speed - 1/500 - 1/4000



HIGH-SPEED FLASH SYNC

I include this option when taking pictures of sports or moving objects. If you are taking a picture to freeze the movement, you can include flash lighting, as the light will freeze the movement with a fast shutter speed.

During the event, I used this technique as the cyclists passed me. My process was to stand at a distance from the start/end with my flashgun on the camera.

Behind the Scenes with the FJ400: Freezing Action with High-Speed Sync

Behind the Scenes with the FJ400: Freezing Action with High-Speed Sync

The flash will freeze a motion, and the fast speed will keep the movement from having the camera shake from the photographer or motion blur from the cyclists.

Theory - This process is called flash 'sync' speed - i.e. the fastest shutter speed, where the camera's sensor will be fully exposed to light from a flash – is typically 1/200sec or 1/250sec, and you'll not set a faster shutter speed unless you turn to manual mode.

This technique is used for portraits to capture a single sports professional. I often use it when photographing clients who wish for running, walking or cycling pictures.


PANNING PHOTOGRAPHY

This process can be fun and creative, as you try to capture still movement from the cyclist, but have the background looking like a landscape drag.

Check out the example of this process to the right.

It can look artistic when you capture multiple images and follow the cyclists as they pass.

PROCESS:

Set camera on shutter priority.

This process involves the slow shutter speed, instead of the high shutter speeds that I have mentioned above. The panning effect depends heavily on shutter speed.

  • Too fast, and you’ll get a tack-sharp image and zero blur effect.

  • Too slow, and you’ll get a smudgy, blurry subject.

The ideal shutter speed is between 1/30s and 1/125s.

Move along & in line with the subject, to create beautiful panning photography.

It's possible to pan while handholding your camera, but use a tripod.

Focus accurately, as your subject will move swiftly across the scene

The last thing to consider is your position in relation to what you will photograph, so that you can follow the movement swiftly.


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